"My job is to take photographs, and photographs are not the way to make metaphors. Neither concepts. The photographs show, no show."
"Taking pictures is ways of life. But life is not important in photography. It is important to tell. If we start from photo will not get anywhere else and the picture ".
" Beware of anyone who uses a language only shouted to be heard further afield to attract attention. The problem, I always thought, is not how loud scream, that's what you put into the scream, in the density of your aesthetic language.
The style should be distinguished from styling. The styling, Sciascia once explained to me, it feeds on are, the way of ideas. Terse and definitive, as only Leonardo could be ".
" It is talked a lot while shooting, but the reaction to the world, what we call intuition, depends on the thoughts and experiences that a she did in life and at that moment convened. It is always more or less unconsciously what was already looking for. I try to tell pieces of existence, life experiences of the people as reflected in the mine.
(...) But I never do, or just to exercise technical and aesthetic, photographs to take pictures. Photographer always something to tell. The landscapes, even when there are people content to live, for me there are only a function of human feeling them legitimate. "
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"Taking pictures is ways of life. But life is not important in photography. It is important to tell. If we start from photo will not get anywhere else and the picture ".
" Beware of anyone who uses a language only shouted to be heard further afield to attract attention. The problem, I always thought, is not how loud scream, that's what you put into the scream, in the density of your aesthetic language.
The style should be distinguished from styling. The styling, Sciascia once explained to me, it feeds on are, the way of ideas. Terse and definitive, as only Leonardo could be ".
" It is talked a lot while shooting, but the reaction to the world, what we call intuition, depends on the thoughts and experiences that a she did in life and at that moment convened. It is always more or less unconsciously what was already looking for. I try to tell pieces of existence, life experiences of the people as reflected in the mine.
(...) But I never do, or just to exercise technical and aesthetic, photographs to take pictures. Photographer always something to tell. The landscapes, even when there are people content to live, for me there are only a function of human feeling them legitimate. "
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